Poems

Twisted Threads - cover art

Poems from

Twisted Threads

Mirrors

Her mother’s face
in the glass – porcelain
skin, halo of sleek white hair.
Growing up in her shadow,
always seeking new suns.

On the island she walks
along the harbor, admiring
the statuary – carved dolphin
on a pile of rocks, ceramic fish
perched on a yellow wall,
reflections of the watery world
below the surface.

A palm sprouting
from a cracked coconut
half buried in the soil.
Where is the mother tree,
which way does it bend?

Stone tables along the shore
adorned with broken tiles,
mosaic formed by earth,
water, fire, human hands.
What we make of loss.

In the water her own image,
her mother’s face.

Shades

The truth is some things are
black or white, and something
is lost when we reduce
all things to shades of gray,

blur the difference
between yin and yang.
Beauty lives in the curving
line between, the contrast
of each dot against the ground,
like a third eye, silent,
seeing everything.

On a drizzly afternoon a raucous
sound draws me to the window
to see a murder of crows circling
against a dead white sky,
then scattering to distant trees
to adorn the tips of branches
with inky silhouettes. Omens,
yes, but so alive on this dull

October day that I can only
be grateful for the patterns
of their loops and spirals,
the symphony of
cacophonous cries.

Only on the blackest night
can we see the truth of stars.

You can keep your shadows,
your mists, your fuzzy lines.
I will choose the clear shapes
of things, though the edges
be jagged, piercing, the darkness
heavy with sorrow and pain.

The Way Back - cover art

Poems from

The Way Back

Last pharaoh

Versed in astronomy, she might
have guessed that even stars
have endings. Sharing her bed
with Caesar, then Marc Antony,
bearing their sons. Not enough
to hold back the tide.

Finally, the bite of the asp,
her last lover, as Rome
swallowed her kingdom.
Centuries later, cities
swallowed by the sea,
her palaces and temples
scattered on the ocean floor
with remnants of her gilded life.

We circle stone pillars
brought up from the sea,
view earrings and bracelets
encased in glass, a scrap
of papyrus that bears her hand,
a goblet of hammered gold
that touched her lips,

relics like the dishes
in our kitchens. We imagine
our cities under water,
our possessions as artifacts.
Outside, the transient sun
caught for a moment
in the coils of time

Musical Soup

Spring just a week away, but this raw
rainy day cries out for a pot
of African peanut chicken soup
to warm us through winter’s last gasp.
I turn on the classical music station,
gather the ingredients and spend
the afternoon in a symphony

of chopping, grinding, stirring
to Beethoven, Elgar, Brahms,
and I’m back in my mother’s kitchen,
always full of musical accompaniment
to the clanging pots, running water,
simmering soups and sauces.
Sometimes she hummed along,
so happy to be rolling dough
for strudel, filling the cookie jar,
stuffing the freezer – always with
her hair just so, her lipstick on.

A woman of her generation,
she gloried in her dust-free house
with everything always in its place,
the savory meals her family relished
every night. Her grandchildren still
reminisce about her spaghetti sauce,
her chocolate cake. In her last years,
from her wheelchair, a repeated
refrain: I’ve had everything
I ever wanted. I’m a lucky woman.

And all I ever wanted was not to be
like her, to do more, be more, make
a difference, see the world. The adagio
begins, the violins sing an insistent
question: What of me will my children
remember? Probably not the photos

I took in India, the cases I won
in court, the poems I published.
I stand at my kitchen window
watching rain, inhale the fragrance
of browning onions, sway
to the rhythmic swirl of a wooden
spoon through thickening soup.

Stray Moments - cover art

Poems from

Stray Moments

On the cusp

Spring equinox again
when day equals night,
dark equals light
and everything hangs
in the balance. Star
magnolias bloom
fragrant white while
just over the horizon
looms a new cold war.
Bluebirds start to nest
while autocrats
tighten their grip around
the throat of democracy,
and we read that we have
seven years to save
the planet before
it’s doomed.

The question hangs.

And yet along the creek
sunlight dances
on wet rocks, summons
glints of silver, hints
of green. What are we
to make of this stubborn
earth that showers us
with gifts no matter
what we do while we,
like an abusive spouse,
return its love
with even more abuse?

I teeter on the cusp
of joy and despair,
unable to unsee the rising
seas, the species gone,
the skies abloom
with the brilliance
of spring’s abundance.

December light

It arrives later, leaves earlier
and while it’s here the sun
hangs low as if still leashed to night.
And yet it clamors for attention,
confronting with a radiance
that forces you to turn away.

In these darker days we have no choice
but to view things from a different angle,
to see how the bare bones of trees
hint at the truth of things.

On the chimney next door
a hawk’s pale breast glows ruddy
in the morning sun,

and the disappearing days portend
the end of another year, mountains
of tomorrows turning into yesterdays.

The solstice comes and goes
as each day the sun climbs higher,
stays longer, the angle of vision
shifts. Does more daylight
bring less insight?

So little time to see what
winter light reveals.

Shapes of Love - cover art

Poems from

Shapes of Love

Ocean

It was still there
after so long away

while I learned
through darkening days
how much I didn’t like
subtraction,
trudged to school
through snow
to watch steam gather
on windows
in a room smelling of wet wool.

Unseen it waited
as the world leafed out,
days lengthened,
classrooms poured young
bodies through the streets
one final time.

From the back seat
I caught the first whiff
as the car crossed
the bridge
over the bay,
followed a chalkbellied
gull shrieking
and streaking
across the sky

and there it was
opening to me

like a flower
spilling frothy white
petals on the sand.

Concerto

In the moonlight a candle flickers
to strains of Rachmaninoff.
You remembered what I forgot:
I once considered
the Second Piano Concerto
the most romantic music ever made.
When I told you fifteen years ago,
you put the music on,
and we made love before the fire.
You play it now, evoking the moment.
No, it’s not nostalgia,
nor the music that brings the tears,
though the lush sound still thrills my senses.
It’s this: that you remembered.

Shapes of Love - cover art

Poems from

Wild Mushrooms

Stone Benches

After dark they come,
stake out their claim,
a place for uneasy dreams.
They could be anybody’s brother,
once were someone’s son,
cradled by softer arms than these
stone benches, now the only beds
they know.

There is comfort in hardness.

Tall buildings loom around them;
inside, hours before,
weighty decisions
filled the spaces
where now black windows
look blindly down
on restless sleep.

When morning breaks,
the first commuters,
eyes averted,
pass quickly by,
clutch their briefcases
a little tighter.
A sleeper stirs, hugs the stone,
curls into his blanket
despite the August heat.
Another stacks
neatly folded shirts
into a duffel bag.

They will be gone soon,
fading into invisibility
on busy city streets.

When they weary,
they wait for darkness
and the solace of stone.

Ravaged Roses

When my roses bloom, Japanese
beetles zoom in like kamikazes,
gobble great holes
until a mound of hard brown scarabs
too gorged to fly
hangs from the sepals
where a flower used to be.

I struggle to contain my rage, curb
the impulse to crack each carapace
between my fingers or crush
them one by one under my heel
until digested particles of ruined rose
ooze from their broken bodies.

I am a reasonable person,
willing to negotiate. I disapprove
of traps and poisons. I respect
their right to live, would share
my roses if they would agree
to leave each second rose,
or even every third, for me,
or if they would forbear
from gluttony at least
until the flowers start to fade.

I want to teach them principles
of sustainable consumption,
persuade them that restraint
will help the bush survive to feed
them for another season. Yet,
heedless of all reason, they keep
ravaging my roses while I remain

at war with myself, as helpless
before this huge hunger
as any impotent god
watching the world’s splendor
swallowed by greed.

Recently Published in

Journals and Anthologies

Moon

The crescent moon hangs low tonight,
grazes the tops of buildings.
Its grin is rakish, a Cheshire cat
in a reclining Buddha pose.
I think it knows something,
but it’s not talking.

I am restless.  So much to do,
so little time, yet all I want
to do is stare at the sky, try
to cajole the moon’s secrets.
And what if it’s all an illusion –
you, me, the wars, the earthquakes,
even the cat purring on the hearth?

I imagine the universe
without me, without anything
that we call life, and it’s hard
to get upset.  Nothing is ever
lost, they say.  Mountains
do not grieve, nor oceans
weep.  Only we, trapped
in our DNA, have fallen
into desire, keep swimming
against the current,
buffeted by indifferent tides.

The RavensPerch, May, 2025

A Kind of Murder

A murder of crows carves circles
in the sky, assails with a raucous riot.
What synapses are firing
in these corvid brains,
able to plan, fashion tools,
learn and remember?

Am I the cause of this commotion?
What do they think of these
two-legged creatures that do
such unnatural things?

Folklore holds that crows
hold trials of wayward members
of the flock, punish a crow
for crimes such as stealing
food from a younger bird.
What would we tell them
if called to explain ourselves?

Would we apologize
for the messes we have made?
Would we be sheepish
or defiant?  Or offer
excuses, as if ignorance
or necessity could justify
the rising seas, the continents
ablaze, the species gone extinct?

I can see the presiding judge
robed in black feathers,
his beaky face stern, myself
cowering in the defendant’s box.

How can the verdict be anything
but guilty, the sentence
anything but a lifetime
of watching the planet
we call home hurl toward
the fate we’ve created?

The RavensPerch, May, 2025

Arboreal

From the icy indifference
of the universe, turn
to the trees. They never
bore with mindless chatter,
their comments
on the weather sung
in the rustle and hue
of a leaf, the tilt of a trunk,
the bend of a branch.

So much wisdom
in this communion:
the reasoning of roots
that spread, support,
hold tight, take from earth
only what nourishment
is needed and keep on
giving back. Endless gifts
to the eye in shifting shapes
of leaf and branch,
a palette changing
with the seasons,
the hourly slant of sun,

symphonies from tiny
feathered throats, shade
for profusion of ferns
unfurling in the understory,
habitat and sustenance
for countless creatures,
even humans
who never notice.

The RavensPerch, May, 2025

Supplication

I sit at the feet of the universe
and beg to be tutored.

Teach me, I say, to let fruit
ripen before I reach for it,
to wait for sunlight to push
its brightness out
to paint the shining skin.

Let me not merely taste
but savor long and deep
the tartness and the sweet,
the subtle blend beyond,
to marvel at the miracle
of what a seed can do.

Train my body to sit still
long enough to see
beyond the horizon,
perceive the light
hidden in darkness,
to embrace, not fear,
the dark beyond the light.

Instruct me in my own
insignificance, then teach
me not to care, to know
I am a speck in the cosmos
and yet it fits within my mind.

Ask me the hardest questions,
and hide the answer key. Test
me with questions that
have no answers, then show me
how to accept my ignorance,
rest in uncertainty.

Parse for me the difference
between alone and lonely.
Help me face my demons,
tame them, let them be
my teachers, turn
them into friends.

The RavensPerch, May, 2025

In tooth and claw

The sickening thunk
I’ve heard too many times before
calls me to the window,
its meaning unmistakable –
a bird crashing
into the glass,
perceiving it as sky.

Hearing it, I always check
for injury, but all I’ve ever seen
has been a floating feather
or a bird below the feeder,
slightly stunned but able to fly away.

Not this time.

Now I’m the one who’s stunned,
face to face with a red-tailed hawk
looking indignant. Eyes meet
for only a split second
before he launches, spreads majestic wings

and disappears, his talons
grasping a helpless mourning dove.

And that’s the way of it –
life fed, always and only,
by something’s death.

No point in mourning
the fruit plucked from the tree,
the egg scrambled for breakfast.

But praise the seed that sprouts,
escapes the deer’s attention.
Celebrate the fish that got away.

All the Women Came and Sang (Wyld Syde Press, 2025)

Unspooling Time

What does it mean to live a human life
on this spinning rock, to walk through time
not knowing what it is, looking
only to changes in the sky
explained by different myths in every age.

There comes a day when birthdays
become a burden, something to ignore
or deny as if a death’s head
suddenly appears at your breakfast table
and says, with a grin,
your time’s running out or, even worse,
what’s the point? Then you start
seeing lines in your face
that weren’t there yesterday,
forget the name of someone
you met last week.

And so, I decided not to have
more birthdays. As simple as that.
Just stop, press rewind and start
counting backward. Let Clotho
keep on spinning that thread.
I will play Penelope, ripping
out the stitches she wove each day.
The new mythology of physics teaches
how time can move in both directions,
so let the unspooling begin.

But I don’t want to go back
to the beginning and do it
all again, not even if I could get it
right this time; only to hold
my thumb on the button just long enough
to find that sweet spot, the year or day,
or even minute I was too busy
living to notice, that moment
when it all made sense
and shone with radiant light
that never came again.

And just press pause.

All the Women Came and Sang (Wyld Syde Press, 2025)

Elegy

for Renee Nicole Good and Alex Pretti, murdered
by the U.S. government, January, 2026

Her name was Good, his sounds like “pretty,”
but there was nothing good or pretty
about what was done to them, shot down
in the street at point blank range
for the crimes of courage and caring.

The eponymous Renee, age 37, a mother,
a poet, braved a frigid day to raise her voice
against the shame – a government desecrating
its own city streets with masked gunmen
turned loose with license to murder.
For this she took three bullets to her face
as she tried to drive away; and Alex, also 37,
a healer, nurse to veterans in intensive care,
shot in the back ten times for attempting to aid
a woman injured by her own government.

They didn’t set out to be heroes or martyrs,
merely to do the decent thing, say no
to brutality in a country that turned
its back on beauty and compassion,
turned itself into a gilded cesspool
where only the rich and powerful thrive,
wallow in their own expensive excrement,
gleefully dump it on those who dare dissent.

This country lost its mind and soul
by handing power to a beast with neither,
who builds only walls while blowing up bridges,
brutally smashes what others built, leaves
a trail of blood and rubble as a legacy.

This is the face of domestic terrorism,
the death throes of democracy, 250 years
from its birth on these shores, as the nation
prepares to celebrate this milestone anniversary.
If this were a novel, the author would be
excoriated for such heavy-handed irony,
but irony quickly turns to tragedy
when the blood is real.

ICE Out (Moonstone Press, 2026)

September Day

The morning shines like hope,
streaking grass between the trees
with radiant stripes, tipping leaves
with gold, the sky as blue and cloudless,
the air as crisp, as the day the towers fell,
clogging lungs with fear, spreading
seeds of hate across the globe
that burrowed deep into the earth
and bloomed in endless wars.

It was the end of something
and also a beginning,
though we couldn’t see
beyond our shock what else
was falling, what else
went up in smoke.

This is the morning after,
the clear blue sky full of regret.
What could we have done
differently? What should we not
have done? What can we do now?
The questions hang in the morning air.

Today the beauty of the light
evokes an ache of nostalgia
for the innocent time before,
when a blue sky didn’t feel ominous
and there seemed to be a path
forward, however much
we stumbled on our way.

Glimpse, Spring, 2026

The Stones of Oradour

They speak with charred tongues,
the jagged roofless walls
like broken teeth in a mouth
howling to the sky.

All the men lined up
and shot by German boys,
their women and children
locked in the church

and burned alive by a grenade
tossed in to quash resistance
as the soldiers pushed north
toward Normandy,

setting the town on fire
as they left. We walk
the empty streets, reading
the signs on wrecked walls:

Dentiste. Pharmacie. Café
Garage. Forgerons.
Behind glassless windows
rusty blacksmith’s tools
at the abandoned forge,
a rusted hulk of a car
that will never be repaired.

The grass is green now,
the weeds have thrived.
Birds fill the air
with song, unmindful
of the echo of distant

bombs falling in Gaza
and Ukraine, the centuries
of spears and swords,
cannons and guns.

We walk the streets
peopled by ghosts,
mourning the past,
the future, the lessons
of history unlearned.

Glimpse, Spring, 2026